FLACHE WELT
Ina Bierstedt,
Bettina Carl, Alena Meier
31 July 09 August 2003, open Thurs, Fri 1-5 pm, Sat 12-4 pm
preview Wednesday, 30 July 2003, 6 pm
rm 103, 1st floor, Achilles House Cnr Commerce St and Custom St
East, Auckland, NZ
2-19 September 2003, open Tues-Fri 12-4 pm
preview Monday, 1 September 2003, 5.30 pm
Ramp Gallery, Waikato Institute of Technology, Gate 2, Collingwood
St, Hamilton, NZ
Douglas
Kelaher, Warren Olds, Sriwhana Spong
27. september-11.Oktober 2003, geöffnet Do, Fr, Sa 16-19 h
Eröffnung am Freitag, 26. September 2003, 20 h
CAPRI, Brunnenstrasse 149, 10115 Berlin, Germany
Flache Welt (trans. flat earth) suggests some general strains in
contemporary picture making and art productionthe notion of
burying occidental perspective in abstract painting, for example,
or that of the screen a surface of mediation whose flatness
threatens the material or the original. To some it is simply a state
of mind. At a stretch, the contemplation of flatness may allow us
to imagine life on a saucer. We might simply cut a hole and crawl
from Auckland to Berlin and back again. Perhaps a renaissance in
flat thinking is developing; while today's technology bluffs the
erasure of obstacles such as physical distance and the features
of geophysical terrain, these measures of spatiality return unscathedthey
still structure the dynamics of power in relation to sovereign states
and borderless corporate entities.
The flat world of images provides a wide view and endless departure
points or destinations for unlimited directional adventure. Our
own location on this plane can not, however, be as simply altered
as we might like to think. Critical reflection on such positional
matters will invariably illuminate clichés and assumptions
embedded in long distance communication the attributes of
such an exchange have informed the processes leading to two previous
exhibitions in Auckland and Hamilton, as well as the current one
here in CAPRI.
The positions evident in Flache Welt present variations on the theme
of location and positionality: relationships to occidental landscape
traditions, the colonial object of desire, territorial specificity,
the treatment and reproduction of found images, and visual vocabularies
charting spaces between the real and virtual.
Flache Welt is generously supported by the Goethe Institut Inter
Nationes Wellington, and rm103 is generously supported by Creative
New Zealand.
http://www.rm103.org/Capri/install/Cinstl.htm
http://ramp.mediarts.net.nz/
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